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After the perfect trio of stories prior, Kwaidan could end and not suffer. Every shot is thick with atmosphere, which plays well with the slow pacing.
The threats of poverty and starvation compel otherwise civil people to commit unspeakable acts. Slowly, soldiers creep out of the surrounding forest and invade. From this we get a story within a story, and the film takes time to show us the battle, an absolute visual treat.
Ringu If you want to trace the trend of Western remakes and general obsession with Japanese horror movies, Ringu is your patient zero.
Kwaidan Kwaidan might be the least scary film on this list. This leads to an interesting struggle of work and motherhood.
It's the shortest of the four and tells of a writer who keeps seeing faces in cups of tea. But it all plays into the experience.
An architect returns to his ancestoral home to find a werewolf out for revenge; a doctor discovers his new wife is a vampire; a huge plant takes over a house; a musician gets involved with voodoo; an art critic is pursued by a disembodied hand.
So much so that the characters are one-dimensional their names even indicate their behavior. And she is wandering about with a gigantic pair of scissors cutting people and all. Watching Hausu as an adult means you're forced to think like a child and find scary the things children find scary.
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